Alexander
Tylevich is a sculptor and architect working in a variety
of media, with projects ranging from freestanding site-specific
sculptures to a master plan of a metropolitan city. His sculpture
exhibits a rare understanding of interaction with the space
and environment. He is making an increasing use of glass in
his work.
University of St.
Thomas, Minneapolis, Minnesota,
2004. This complete glass
environment in the University chapel manages to be technically
spectacular while remaining conceptually gentle and restrained.
In essence, a simple and soft shading of color and texture
moving across the entire span of this 30 foot high circular
curtain wall.
380 pieces of 1/4"
float glass were kiln formed with textures that decrease in
density from bottom to top. Most of the glass was carefully
shaded with silver stain to produce a gentle but powerful
glow of rich gold that fades to clear at the top and each
side.
The glass was installed
with a system utilizing floor to ceiling cables and custom
metal fittings. The panels overlap to form a glass 'curtain'
that floats before the insulated glass wall. Fourteen panels
along the bottom were waterjet cut to allow polished float
glass inserts that symbolize the Stations of the Cross, while
allowing very selective vision outside. Even the two emergency
doors are part of the composition, with 7 foot panels laminated
to the regulation safety glass. All panels up to 10 foot level
were tempered as per building code.
St. Francis de Sales Parish
Church, West Virginia
2004. This suspended
glass sculpture is set in the tower over the Baptismal
in this award winning church near Pittsburgh. Each
panel is laminated clear float glass, extensively
shaded with silver stain, paired with architectural
glass fittings, and hung with cables, in a precisely
articulated formation. The piece emerges from the
ceiling, luminous with golden light.
IFRAA - 2004 Design Award
in Religious Architecure